Monday, August 15, 2011

first impression: Warrior Baek Dong Soo (Korean)



Korean series, for me lately, have been a rather significant new turn in my entertainment life. Ever since a month ago when I started getting interested in the Korean entertainment area, I have successfully completed two movies and four drama series and am in the middle of watching a currently airing series slated to finish around the middle of August. That passion that I used to have for watching Hong Kong entertainment from TVB's productions seems to be coming back in the form of Korean drama series.

So far, aside from Goong, every series I've chosen to watch has been a hit (at least for me). I have finished every one of them within a two day sitting -- I finished City Hunter in a week, but only because the last two episodes had not been aired by the time I finished the first eighteen episodes within two nights. That same night I finished City Hunter, I started watching Personal Preference and ended up finishing it the very next day.

As you can see, the charms of Korean entertainment are starting to work their magic on me now; my only regret is that I didn't start enjoying the beauty of Korean drama series until now. When the infamous Korean wave began to take over Asian countries, I wish I had been there with it. But I guess it's better to start late than never, right?

Warrior Baek Dong Soo, I picked up on a whim, with absolutely no pre-planned consideration. I had thought about it once, but that was because the first Korean movie I watched happened to be Fourth Period Murder Mystery starring Yoo Seung Ho who is also in this series. But I merely glanced at the promotional poster and then forgot about it.

And so on some sort of unknown whim, I pulled up Warrior Baek Dong Soo and decided to give it a go. While there have already been a couple episodes aired, I only made myself watch the first one since my plans were to begin diving into Iris before anything else. A thorough article on what I truly thought about Warrior Baek Dong Soo cannot possibly be formulated with just the first episode alone, but what I've seen so far has been wonderful.

I know little about Korean history. I've spent my life watching series from Hong Kong which involve the histories of China and the like. I'm better at Chinese history concerning dynasties and wars than I am at any other country's. And so there are reasons why I avoid historical dramas from other countries -- mainly because I'd get too confused and have no idea what's going on. Nonetheless, I decided to watch Warrior Baek Dong Soo anyway. And in doing so, I ended up also looking up some of Korean history concerning Prince Sado.

The series starts off with a narrative concerning the conspiracy surrounding Crown Prince Sado, wherein said Prince challenges the Norons' power forcing them to conspire with the Qing to frame Prince Sado for treason. In order to save the prince's life, the king and Noron agree to kill Baek Sa Geong as a scapegoat as well as eliminate three generations of his family. Through trials, Kim Kwang Taek, a master swordsman, oversees the birth of Baek Sa Geong's son, named Baek Dong Soo, and manages to save the baby's life.

This is where the first episode ends and I am anticipating when I start watching the next episode, what will happen. As a lot of historical type series (including the ones I'm used to from TVB) usually go, the epic adventure will begin with a "pre-hero" telling in which the main character's entire life is laid out from birth and then forward. From childhood to the first time that the hero starts becoming a hero, these types of series usually develop magnificently until the guy is acknowledged by all as a great hero.

It seems that by the end of the first or second episode, we will usually get to meet with our main protagonist -- and in this case, we will be seeing the grown up Baek Dong Soo within the next two or three episodes.

Therefore, I can't be able to give a proper analysis or prediction of how the storyline will go or what type of character I see Baek Dong Soo as. So far, this historical figure is merely a baby who survived near death by boiling, which ended up costing the master swordsman, Kim Kwang Taek one arm. I can already imagine that Baek Dong Soo will be raised with all the teachings of an excellent martial artist and continue the legacy that the master swordsman could not due to a lost arm.
As for Yoo Seung Ho's anticipated appearance as Yeo Woon, I am curious to see what type of person he will turn out to be. As summaries indicate, Yeo Woon was born into a rather tragic life, nearly getting killed by his father because of a fated destiny. The rest of his life can go in any direction, but it seems that he has the possibility of turning towards the antagonistic side of the story line. At the same time, he also becomes friends with Baek Dong Soo, and so I look forward to seeing their interaction as well as emotional tension and possible tragic losses on either side due to duty, life, and ideals.

Midway through the first episode, I had a sudden feeling of nostalgia. It has been a long time since I've been so engrossed in a series or a storyline such as this, that didn't include romance as any part of the general genre. In the past, I was a huge fan of Chinese wuxia type storylines -- drama adaptations of novels written by Louis Cha, otherwise known as Jin Yong, who weaved excellent stories of heroes during historical China, centered around celebrated wars and rebellions. This is how I learned Chinese history.

And so, maybe this is how I will learn a little bit about Korean history. After all, as sources indicate, Baek Dong Soo was a real person and so this is akin to a fictional and historical telling of this particular hero.

As far as action and setting and acting goes, the Korean entertainment arena has so far not disappointed me in any way, shape or form. Acting is on par with excellent, scenery is beautiful, and the direction is great. Of course, battle choreography seems to lose out to what action sequences I'm used to seeing in the Hong Kong arena. While not the best, the fighting is still very good and very enjoyable, without unnecessary camera tricks or computer effects.

I look forward to finishing this series, and hopefully, the streak of excellent Korean drama series will continue on. As I have stated already, there has yet to be a series I picked up so far that I didn't like and I have high regards for Warrior Baek Dong Soo being able to continue to captivate my interest.

***

Related:
For some more behind the scenes pictures related to Warrior Baek Dong Soo, soompi gives a brief first look and includes tons of photes: First Look at "Warrior Baek Dong Soo" @ soompi.

intro info: Warrior Baek Dong Soo -- an overall short review of this series without spoilers

thoughts: Warrior Baek Dong Soo -- the childhood years
thoughts: Warrior Baek Dong Soo -- a hero and a twist of fate
thoughts: Warrior Baek Dong Soo -- the end and an overall review

***

Saturday, August 13, 2011

news: Heartstrings dropped to 15 episodes


This is news that is all over fan sites already, so it would also be my duty to report here. Heartstrings Korean drama, starring Park Shin Hye and Jung Yong Hwa has finally been decided to stop at episode 15 rather than the initial 16 episodes. This is due to Park Shin Hye's car accident a few weeks ago which resulted in a delay of the series' filming.

Fans are a bit disappointed that the series will be cut short, but we're all glad that Park Shin Hye was able to return to filming safely and in a healthy state.

For more information on this news, you can visit the Park Shin Hye International Fanclub blog. Here is the actual link to the news: http://www.shinhye.org/2011/08/news-heartstrings-shorten-to-15.html


To be totally honest, while I am a fan of the two stars and have enjoyed Heartstrings since the beginning, I'm not too disappointed that the series was cut by one episode. As far as these fluffy romance pieces goes, Heartstrings was starting to become a little one-tracked and uninterestingly predictable (which is typical of most romantic comedies like this geared towards a younger age group).

Don't get me wrong, I'm still enjoying the series for it's intended entertainment value, as well as the things that started me off on watching Heartstrings in the first place. So I do look forward to continuing on until the end of the series, which is right around the corner after next week when the last two episodes will be aired. However, whether because of the episode by episode wait or just the sudden monotony that has taken over since our favorite couple got together, the series itself has become kind of stale and I might feel a little relieved once it's over.

With great music and fun antics as well as a nicely blossoming romance, my thoughts for Heartstrings still remains rather pleasant. I just wish I could say the same for the story line which seems to have run out of steam. Nonetheless, the cast is still great, so hopefully they hang in there.

news: MILESTONE!!


I'm so excited and so happy! When I was writing my animanga blog, I don't think I ever had this happen until sometime after I quit blogging on that site. It just makes me ecstatic to know that I'm really not just talking to myself!

I HAVE A READER!! YAY!

To whomever it is out there who is taking the time to read my ridiculously long posts, thank you very, very much! I will continue to strive for better articles. However, if you are someone I already know in real life, then you might let me know who you really are. I also want to thank anyone else who is simply a silent reader I don't know about and I hope you continue to enjoy my articles.

I paid no heed to the first comment I received because I thought it was just one of my friends humoring me (there are a few I know of who would follow my silly request for a "Yahoo!" but may not necessarily read my articles -- thank you for that anyway.)

But now I have a well written comment, a recommendation as well as encouragement to continue writing coming from a fellow Asian drama enthusiast. Again, thank you very much!

I will definitely give Chuno a view and hopefully be able to blog about it as well. My drama interests today might be geared more towards romantic comedies, but I have no problems opening up my viewing interests.

To anyone and everyone who is reading this blog, again, thank you very much. I will try very hard not to lose steam after a couple months like I did in the anime and manga area. Thank you for being here.
Okay... now back to regaining my calm composure as the webmaster of the drama zone...

Thursday, August 11, 2011

thoughts: Hanazakarino Kimitachie (Taiwanese)

Also known as Hua Yang Xiao Nian Xiao Nu


***

This article may contain spoilers. For a less detailed summary and thoughts post, please refer to: intro info: Hanazakarino Kimitachie aka Hua Yang Xiao Nian Xia Nu.

***

There is no doubt in my mind that Hana Kimi is one of my favorite shoujo manga storylines. The idea of a cross-dressing girl hiding herself in a school full of hormone raging males and one gay school doctor is more fun than anyone could possibly take. But nonetheless, I never tire of the story line.

After watching the more recent Japanese version starring Ikuta Toma, Horikita Maki and Oguri Shun -- as well as subsequent television specials, behind the scenes and various interviews -- I was tempted to pick up the Taiwanese version of Hana Kimi. Of course, I hadn't officially done so until I saw a brief interview of the two main male casts, Wu Chun and Jiro Wang, introducing themselves to the cast of the Japanese live action Ikemen Paradise. Few snippets of the series piqued my interest enough for me to immediately track down the series and debate watching it. But as I was in a Japanese drama funk of all things related to Ikuta Toma-sama, it would be quite a while before I even began to watch the Taiwanese version of Hanazakarino Kimitachihe.

To backtrack, I'd always been adverse to watching Taiwanese drama in the specific genre that they like to call "Idol Drama." I've always felt that these were cheesy eye-candy series meant for young teenagers who enjoyed seeing their favorite idols on the television screen try to act. I'd been a prominent viewer of TVB dramas in which I've enjoyed the wonderful acting and storylines of since I could remember in my childhood.

Hana Kimi seems to be my cure all for anything and everything related to those pre-judgements I've made. Hana Kimi got me started in on rapidly inhaling various shoujo manga stories. Hana Kimi introduced me to the possibilities of live action Japanese Dorama. And then Hana Kimi easily hooked me to the wonderful fun that is Taiwanese Idol Dramas. While everyone else may have started their liking of Taiwanese Idol Dramas due to manga adaptation from such series as It Started with a Kiss or Meteor Garden or Devil Beside You, I chose Hana Kimi. In a separate world, while Hana Kimi didn't quite play a role, a series involving a girl disguising herself as a guy also introduced me to possibilites of Korean drama; on another note, a different series involving a girl disguising herself as a guy finally got me hooked onto Korean drama and Korean music.

Life may just become a more colorful place for me as my mind opens up to things I had never before thought to pay attention to.

But enough of my revelations...


What I have to say about the Taiwanese version of Hana Kimi could possibly expand into pages worth of praise, criticism, and fangirl kya-ing galore.

I had always enjoyed the subject of a girl cross dressing as a boy for her own reasons and the guys around her having a hard time because of it. This type of storyline has so much potential to spiral into various interesting plots within plots upon side plots. As cliched as the idea is, I'm so excited that there could be so many possibilities of a crossdressing storyline. After all, in history there has been Mulan, and in present there have been many other less popular, but equally entertaining stories. There is always the suspense of the girl doing what she can to keep her identity a secret and all the embarrassing antics that come across such as changing rooms, bathing and the like that might involve skin exposure. And then there are also the weird feelings and sensations that the boys around her get, not quite understanding why they are feeling that way because they think that she's a boy. And then there is always that first person who finds out her secret, and then the second, and then finally the built up thrill of not knowing when she'll finally be found out and how everyone will react.

Finally, there's that turmoil of our cross dressing heroine falling for one of the guys she either lives with or sees all the time. He either knows she's a girl and is keeping the secret for her without her knowledge, or he doesn't know and so we have some sexual orientation struggles to overcome. Or he knows she's a girl, she knows that he knows she's a girl, and so the two go through a lot of sweet little scenes wherein they slowly fall in love with each other. The formula is rather predictable, but the journey to play out that story line, whichever one is chosen, can be expanded in so many different ways.

The Taiwanese version of Hana Kimi definitely does well to follow the plot of the original manga very well. While some things are out of sequence and certain scenes and details may have been changed to the liking of Taiwanese idol drama producers, there is no way any fan of Hana Kimi couldn't enjoy or even fall in love with this series.

I remember a long time ago when I first heard of this particular series, I wasn't exactly a fan of manga yet and hadn't heard of Hana Kimi. I was a fan of wuxia and watched everything Jin Yong as well as crunched TVB series with an unhealthy bias. But the series was rather popular and talked about by netizens of the Asian drama viewing world and even mentioned in Hong Kong entertainment news. Sadly, the story never appealed to me enough to watch it at the time of it's release. The main male cast were simply "no talent" pretty boys and the girl didn't seem to look right. Also, the idea that the main girl disguised herself as a boy to enter an all boy's school for the sake of seeing the guy of her dreams because he'd given her the motivation to lose a lot of weight seemed overly superficial.

I had absolutely NOT been interested in the storyline at all.

To top off my bias, I was never really that interested in watching anything in a language that I couldn't understand; I especially hate dubbed shows because I feel like it takes out a lot of the intended emotion and acting that the original actor's voice could convey. Dubbers, in my opinion, sometimes tend to go a little overboard.

But my love for Hana Kimi overruled a lot of things. It also helped that I presently have a soft spot in my heart for all things romantic comedy that leaves you feeling all warm and fuzzy inside. Picking up the Taiwanese version was one of the best things I could have ever done to expand my options as far as television series go for great entertainment. It also helped me improve my conversational Mandarin (which shouldn't have been hard in the first place, but I'd never tried before).


Moving back to the series itself, as I had mentioned already, this particular series, unlike the Japanese version, follows the original manga storyline quite strictly. I especially would love to point out the sweet and cute, sugary relationship between our two favorite main protagonists, Ashiya Mizuki and Sano Izumi, or rather, in a close rough translation to Chinese, Lu Rui Xi and Zuo Yi Quan. Where the Japanese version had been lacking in all of the sweet, romantic moments that made manga readers all over fall in love with the Mizuki/Sano love story, the Taiwanese version does not disappoint at all.

As far as the storyline goes, following so strictly with the original manga storyline would never disappoint me. A few scenes are changed, but are still incorporated rather neatly, although it would have been nice if they had been kept the same as the manga. For instance, parts of the school festival are changed, some of which I would have liked if they kept the original and some that I thought worked out rather well. During the last race of the festival, I liked the change in that Quan was part of the race passing the baton to Rui Xi who had painfully twisted her ankle but proceeded to finish the race despite the pain-- it feels a little more meaningful than having Nakatsu be the one who sprained his ankle and couldn't race, thus forcing Nanba to join.

The last few episodes of the series also leaves the storyline open-ended for a sequel rather than finalizing the series in the same fashion as the original manga storyline. There is much left to be desired about the ending as far as the relationship between Rui Xi and Quan; although this version seems to attempt an incorporation as to why the series ended the way it did. The series, towards the end, promotes the ideal that "the journey" is much more desirable than an anticipated ending. While I am a strong supporter of "the journey" being more attractive than the final destination, it was hard for me not to feel slightly disappointed at the open ending since I already knew the ending of Hana Kimi and had read it over many many times already.

But as far as the rest of the series is concerned, character portrayals were really good; and probably the only complaint I have outside of the series' ending would be Wu Chun's lack of roundness as both an actor and a character. As I will begin talking about the casting and portrayals, I will leave this statement untouched for a while.


The casting of Ella Chen of popular Taiwanese idol pop group S.H.E. was a rather ideal pick for the role of Ashiya Mizuki. My only complaint about her is that somehow, this series does not do Ella any justice concerning her beauty or her cuteness. She completely transforms into a boy and I had a little trouble getting into the series because I kept feeling that Ella didn't really fit the description of Ashiya Mizuki-- then again, I was also comparing her to Horikita Maki who is absolutely adorable, although bordering more on the girly side than was required.

Ashiya Mizuki is a girl pretending to be a boy, but had also been classified as "a boy pretty enough to be a girl" by her fellow classmates. She also acted the part as well, being the right amount of cute and the right amount of effeminate to make all the guys around her ask questions. Ella Chen, unfortunately, sometimes gets a little too manly for her own good, and her hair style pretty much transforms her into a boy altogether.

But after a couple of episodes, I totally accepted Ella Chen and decided that her portrayal of Lu Rui Xi was very great. It is unfortunate, however, that I still don't quite feel that she is the only one out there who could portray this character as I've often imagined others who might be up for the position. But Ella does great in her scenes as she has many emotional and many comedic ones. While not the most memorable character, I still very much enjoyed her presence.

As of present, I'm almost hoping that maybe Korea will do a remake of this series; there have been two so far that I've seen where a girl crossdresses as a boy. And both of these girls actually do rather well, giving off the right amount of cute and the right amount of tomboyish-ness, and the right amount of girly. In fact, Park Shin Hye who portrayed a cross dressing girl in You're Beautiful actually would fit this role pretty well as she doesn't completely turn into a guy for her character, but she also pulls off being a boy pretty well.


Nonetheless, Ella Chen still did a great job becoming Lu Rui Xi and making the character her very own.


Coming back to Wu Chun, the first thing I need to say about him, is that while not in this series in particular, Wu Chun is easily the most handsome, attractive man I have ever laid eyes on. Seeming more boyish than handsome in this series, it was almost a little hard for me to get passed that flower vase role and give him a fighting chance as an actor portraying one of the most monotonous characters in the manga world. It isn't really that hard to pull Sano Izumi out and become him-- Sano is an all-around nice guy who just wants to protect the girl he loves while struggling with family issues and his renewed high jumping career. Sano Izumi is carbon-copy material for all "nice guy" actors in the world. Sano Izumi is every girl's favorite "Prince Charming" character. Wu Chun has no challenge portraying Sano Izumi, but his monotony as well as the character's own monotony does not help his performance stand out or leave an impression.

But don't get me wrong, I love both Wu Chun and Sano Izumi. Once again, Sano Izumi is my dream prince character-- every girl should have someone like him in their lives, even if just as a friend. And Wu Chun is definitely the most handsome, most attractive man I have ever seen (and I repeat myself again and again.) I just wish that there was a way that Wu Chun could have made Sano stand out a little more. In a sense, I think I almost preferred Oguri Shun's portrayal of Sano just because he brought out a more characteristic side of Sano outside of "nice guy". The Japanese version focused a lot more on the bitterness that Sano Izumi felt due to his inability to continue high jump as well as the brewing hostilities between himself and his father. The Taiwanese version merely brought Sano/Quan out to be the "Prince" character with a few faults and a charming sense of anger-- just like in the manga. But in the manga, it worked; in live action, it seemed to dull in comparison.

But as I had always believed, and lacking a better, much more professional way of saying this, the story of Hana Kimi fluorishes on the love story surrounding Mizuki and Sano more than anything else. This is the typical romantic comedy of a love story where the main focus is romance and everything else simply happens to occur around the love story. What the Taiwanese version of Hana Kimi does is exactly that-- it gives the fans what they want out of Hana Kimi. Without the excellent chemistry between Wu Chun and Ella, the relationship between Lu Rui Xi and Zuo Yi Quan could have been hollow and disappointing. But while the two as individuals were no fun to follow, the two as a couple made watching the entire series to the end so worthwhile. And as the original storyline fluorishes with the love story, the Taiwanese adaptation survives on it.

Sadly, even as the love story was what kept me going for the original manga, the side characters and other plot devices were just as enjoyable and added onto the fun that was Hana Kimi in all it's glory. But the Taiwanese drama would not have been such a success had it not been for everyone's favorite main couple, Wu Chun and Ella Chen, presenting such great chemistry that up to this day they are still being rumored to be a couple hiding a big secret from their audience. I almost wish that the side characters and some of the side plots could have been given a bit of focus, enough to convey the life of Hana Kimi throughout the original manga storyline. Because after reading the manga, even the reader begins to relate, not only to our main couple, but also to the rest of the characters.

While Takashima Daiki had been one of my utmost favorite side characters, his Taiwanese live-action counter part, Da Shu, just did not appeal to me at all, and instead seemed more or less annoying and flat. While I thought that the little first-year Shotaro Kadoma was the cutest and most adorable thing to ever try to enter a karate club, the Taiwanese live-action counter part Men Zhen did not give me that same feel.

On a side note, having seen a lot more young Taiwanese male celebrities in their rising and development phase, it made me wonder why some of these boys were not cast as Men Zhen instead. After all, the role is very "flower-vase" and doesn't really require skilled acting; the boy really only needs to look cute both as a young boy as well as in female attire and act like his own cute self, which is not hard to do. Men Zhen doesn't even really get that much screen time anyway and so it wasn't like there would be too much focus on him. Even so, the person who ended up cast as him really made me feel a little squeamish (no offense to him, of course.) In contrast, another lesser role, Quan's little brother, Shin, was portrayed by a young boy who is both cute and small and could be pretty; he had come from the ever so popular Mo Fan Bang Bang Tang that had captured young teenage girls' hearts all over Taiwan because the program boasted some of Taiwan's most handsome young boys as they developed into entertainers in the industry. Why then, I kept asking myself, weren't any of these boys chosen to be in a series where apparently all the boys in the school are oozing with good-looks, beauty, hotness, or the like?

I digress.

And as stated before, my beloved Umeda Hokuto-sensei who oozes with sexy hotness in the manga just doesn't seem to be able to be recreated in real life. With both versions, Japanese and Taiwanese, neither of the two cast as the lovely homosexual school doctor seems to stand a chance against the beautiful 2D version who sports a pair of glasses and the most mesmerizing gaze anyone has ever seen from a fictional caricature. It really could just be the exaggerated and unpredictable and extreme personality that Umeda-sensei blows up the storyline with that made him as sexy as he is. Maybe the actors couldn't quite grasp that spirit or maybe the actors couldn't quite let themselves fully become Umeda-sensei. After all, Asian drama is rather conservative and a flambuoyantly homosexual school doctor isn't really that easy to make yourself get into character with.

Whatever it was, I will definitely pledge undying loyalty to any man out there who will one day be able to bring out the life and sexiness that makes Umeda Hokuto the 2D homesexual manga man I love so much.

Anyway, the adaptation left much to be desired. Comedic antics, of course, did not quite match up to those of the Japanese version. But the chemistry between the entirety of the cast did not lose short from the Japanese version. Interaction between the actors as their character brings life to any story and the Taiwanese version succeeds in this aspect. I also was more accepting of the character of Julia in this version than the Japanese version, even IF Julia didn't have the blonde hair that was what made her stand out the most. But the storyline changed her background so that she ended up being a part-Asian part-American who spoke sporadic mandarin and english. I kind of liked that.

On yet another side note, the Taiwan entertainment industry seems very adept at finding actors who are able to let rip perfect English when required of them for a particular character. Very impressive, as it goes to show that not all Asian people speak broken English-- I personally don't have a problem with broken English as Chinese and English are two very, very different languages after all. But I know that lots of people out there are always criticizing the way that Asians speak "fluent" English in television series and movies. I admit that I wince whenever I hear broken English spoken by an actor who is supposed to be portraying a character with excellent English who supposedly came home from America after a long time. I also wince at the proposed cultural behavior that these people give off, claiming that they do stuff like that in America all the time.

As an example, hugging, kissing, and just simply being all over each other. We claim in Asian culture that this is rather untraditional and people don't like to see it. But they claim that in America, everyone is like that. Now between girls, maybe that's the case, but I don't necessarily see it all the time. Between guys, good luck getting two to even touch each other, nonetheless give each other hugs. And then there's dressing all skimpy and flashy-- yea, that's not every girl and if it is, then you're probably in some sort of dance club at night when all the girls are drunk to the point of no return. In contrast, you're more likely to see friendly hugs between men in Asian culture than you'd ever see in American culture. Of course, you WOULD be less likely to see friendly hugs between a man and a woman despite their level of friendship, in Asian culture than in American culture. Maybe that's where it comes from... Who knows?

But I digress... again; while it bugs me a little bit about cultural portrayals and broken English, it's not like it kills me. Give it a break people, they're trying their best. You try speaking Chinese without a foreign accent and we'll talk. And yes, you DO sound funny when you're trying to speak Chinese; don't claim that you're saying it the same way I am cause it really isn't true.

A lot of Taiwanese actors and actresses seem rather fluent in English. A lot of them had been born and raised in America and returned to Taiwan to join the entertainment industry. This is something that I always felt that TVB lacked in their own celebrities-- a little bit of multicultural backgrounds. Thus, the annoying broken English and the odd personality traits that they say they picked up while living in America.

But anyway, back to the subject at hand, I was not a hundred percent pre-judging when I decided that Taiwanese Idol Dramas were merely what they were called: drama series with everyone's favorite idols thrown into situations appealing to a young audience. There is definitely more eye candy in the Taiwanese community than I'd ever seen in the Hong Kong entertainment industry. Korean entertainment boasts the same amount of eye-candy as well-- Japanese is a little different and I haven't quite gotten the grasp of their eye candy yet. Despite having watched Hong Kong series my entire life, I still have to admit that the number of good looking Taiwanese idols are so much more. Wu Chun is a prime example of one of the most handsome men in the world. Danson Tang who plays the Taiwanese counterpart of Nanba is also very pretty for male standards.


Other Taiwanese actresses who aren't in this series, such as Rainie Yang, Ariel Lin and more are very pretty and very cute women.

While this is probably not the best way to see it, the biggest impression that Wu Chun had made on me throughout the series was when his character was about to make his high jump in the only competition we see him in in the entire series, and he is wearing a tank top rather than just another t-shirt with short sleeves. The muscles on this man made me catch my breath as you would have never paired off his angelic, boyish, beautiful looking face to a set of man muscles as attractive as his. As superficial as this detail seems, I cannot keep from admitting that I was immediately drawn to him.

Coming to a point where this thoughts post should probably roll to an end, I realize that I should probably mention other aspects of the series such as the minor characters, the music, and our infamous third member of the main cast, Jiro Wang.


Portraying Jin Xiu Yi (Nakatsu Shuichi), Jiro was lively and energetic and cheery just as Nakatsu is supposed to be. He shows his undying love for Rui Xi just as he should, and he exerts his passion for friends and soccer just as Nakatsu Shuichi should do as per the original manga. He shows very well the conflict that Xiu Yi has as he realizes that he is falling in love with Rui Xi, who is still very much a boy to him. The idea that he could be homosexual drives the poor soccer boy crazy, and his comedic antics flair to the utmost best because of all of this. But that's about it for him. While Jiro Wang portrays great skills as compared to Wu Chun's monotony, the character of Jin Xiu Yi also does not quite leave an impression. He brings the original manga version of Nakatsu into the live action arena, but unlike Ikuta Toma, Jiro does not breath life into the character of Nakatsu. While Ikuta Toma made the character of Nakatsu his own, Jiro Wang merely turned into Jin Xiu Yi as he needed to.

The minor characters of Hanazakarino Kimitachihe are rather one-dimensional and flat. Even the school's idol, Nakao or Yang Yang, does not bring forth his touching storyline of admiring and loving Nanba. Liang Si Nan (Nanba Minami) doesn't quite shoot off his playing, flirting, pretty boy personality as necessary.
However, Ethan Ruan as Shen Le (Kagurazaka) actually does quite well being the all around antagonistic asshole versus Sano in the high jump arena; I enjoyed his presence very much, what little there was of it.

As for technique, direction, and music, the series does excellently. The soundtrack boasts music by S.H.E., Fahrenheit and Tank. The opening was very catchy and the ending theme was very moving. Insert songs were enjoyable as well.

Hanazakarino Kimitachie isn't exactly the best series there is to offer in the Asian television drama arena. But as far as the storyline goes concerning it's faithfulness and it's circling around the love relationship between Rui Xi and Quan, the series is a definite lovely watch. I wouldn't mind rewatching this series at all. For the most part, it is extremely enjoyable and the fact that the series has the eye-candy of all eye-candy in the Taiwanese world makes the series so much more enjoyable.


Take it or leave it: these series aren't for everyone, but they are defintely a new match up for myself.

Wednesday, August 10, 2011

news: a new decision

I could have easily added this news as part of the last post I'd written not more than two hours ago, but I decided that this announcement would have to be separate for it to be effective. Why? I don't know. No one reads this blog anyway.

But starting fairly soon, I am going to include an information section for posts about drama series and the like. Those posts will include a brief introductory, summary, and short thoughts about my overall take on the series or movie. Basically, this is my way of repenting for the fact that I realized my thought articles can become extremely long and give away spoilers that I hate to give away. And so those articles will be more of a discussion type and warn against spoilers. Also, it gives more of a way for me to expand on two or three separate articles discussing elements, scenes, plot devices, characters, and actors and actresses in particular series if I wish to elaborate on them more -- because I always wish to elaborate more, but feel limited whenever I'm writing a formal single review. And so, if I can manage it, the series that I review will come with an information post, a formal review post filed under 'drama thoughts (in depth)', and then more spin off thoughts for those series, filed under a section called 'random thoughts' or something like that.

And since my brain is always overflowing with questions and randomness and words, there is no doubting that, giving me this freedom will allow lots of different opinionated, subjective articles.

I think the biggest downfall about my animanga zone would have to be that I tried to keep a strictly organized structure. For this blog, I'm going to try my best to allow more freedom for myself to write whatever I want to write as long as it pertains to Asian media.

The first series information posts will involve City Hunter, especially, because every time I go back to look at that article, I just feel a little exhausted about how long it ended up getting and I wonder whether anyone is willing to sit and read through that entire post. Then again, I've read and reread it dozens of times within the last week just trying to edit it for best publishing presentation. To date, it is the longest thoughts article I've written for any drama series, longer even than a lot of the reviews I've written for anime series.

This may not happen, but in the near future, I might go back and edit it out, taking some parts and putting them into a separate post for random thoughts, and then just redirecting readers to that one. This is definitely a plan, but we'll have to see how well my motivation plays out.

news: being too ambitious is no fun

I think I already overdid myself in terms of trying to organize and present articles on this blog. My plans for August had included at least five other article posts by this time in the month. Of course, things never happen the way that I plan them, but seeing as how this is a personal blog just for fun anyway, it's really not that big of a deal to me.

In fact, I'm almost glad that my meticulously scheduled plans flopped on me. It gave me a chance to realize that I was putting too much priority into a fan's mere blog. This isn't professional after all.

Nonetheless, it doesn't mean that I'm giving up on blogging. It just means that I realize I need to take things a little slower and try not to force myself to stick to a specific itinerary. Because knowing me, I will more than likely end up rebelling against myself.

Anyway, there are still plenty of blog posts that I have planned for the coming few weeks and may not necessarily end up being presented this month (as was the original plan). Some are already done and I just need to publish them. Other still require a small amount of tweaking and others still just need a few pictures to complete the article.

In terms of my viewing schedule, I've found that it is so, so easy to burn through Korean drama series before I even start them. As of current, I have just finished up Sungkyunkwan Scandal and will plan on writing my review for that one soon -- a very fun and meaningful drama as compared to all the other fluffy romantic comedies that I'd gotten used to since the days I started inhaling shoujo manga. My next endeavor will either be another romantic comedy, or the mega-blockbuster hit Iris which has been on my "next in line" viewing list for a long time. Because there is a planned sequel to Iris, I'm sure I'll jump on the first one as soon as I can just so I can stay in the loop.

To date, within the past two months, I have managed to finish watching five complete Korean drama series, and I have started watching two others which are still currently airing. I just hope that this new hold on Korean drama series isn't just a temporary obsession as I have been enjoying story lines and direction and the actors' skills very, very much. And it makes me excited to watch one series and then, because of some actor or actress, I seek out another series with that person in it and still end up enjoying the series. It's quite pleasant. Aside from that, however, I have placed some "to watch" series in my list based on summaries, personal interest, or ratings.

Other aspects of the Asian entertainment arena will be touched upon as well. I have recently started listening to music by other artists who are not associated with the series that I've been obsessing about. As I learn more about these individual musicians or even the idol groups, I will make mention of them.

Lastly, I've finally been dabbling in graphic arts and will pursue ways to create new banners to beautifully decorate the heading to my blog. In the past, my art was very child-like and sometimes looked strange or out of place. I'm not saying I've improved much, but the idea is to play around with pictures and fun art until I figure out what I'm doing.

Look forward to a few posts coming up soon: thoughts on Goong, Hana Kimi from Taiwan, Personal Preference, Sungkyunkwan Scandal, and then a first impression post on Warrior Baek Dong Soo. Yes, OMG, there's something on the list that isn't a romantic comedy. With my indulgence into City Hunter, or even just Korean drama series altogether, I've begun to allow myself an expansion outside of romantic comedies. This feels just like the days when I grew up with Hong Kong's TVB production series wherein not everything I watched had to do with romance, and yet I still enjoyed it. I'm extremely thankful for being able to jump into the Korean entertainment arena -- it's shown me that nostalgic love for drama series that I haven't had in a long time. Because even with anime and manga and Taiwanese drama, I had simply sought out the "chick flicks" packed full of fun, romance, fluffy story telling and happy endings. Right now, I still can't stand to watch something that doesn't have a happy ending or anything that is laced with angst or tragedy, but maybe I'll be able to branch out in that direction because there truly are lots of good story lines in that genre despite the tragic endings and constant melancholic atmosphere.

Saturday, August 6, 2011

thoughts: Hanazakari no Kimitachi e: Ikemen Paradise (Japanese)

Also known as Ikemen Paradise or Ike-para


***

This article may contain spoilers. For a less detailed summary and thoughts post, please refer to: intro info: Hanazakari no Kimitachi e: Ikemen Paradise

***

This review had been written nearly two years ago, sometime after I finally gave up interest in manga and anime. I think that the fact that I even started watching live-action drama series played a part in my lost interest in anime and manga.

But here it is, a nice little review, or rather, my subjective opinions about Japan's version of Hana Kimi. Few changes have been made since writing this, and a lot of editing usually happens from the point where I start writing, all the way up to the point that the article finally gets posted (and then after that, out of professionalism, I leave it alone; or at least I try to).

I picked up a live action Japanese drama for the first time and I have to say that I really enjoyed it. It's not like I didn't think I'd enjoy it, but I'd always been under the impression that Japanese drama were fairly tragic or always depressing. My parents had watched few in the past and they were always so full of drama that I was hesitant to watch anything of the live action drama from Japan. I don't quite like things that are depressing or tragic and so I avoided...

Then again, now that I think about it, it may have been Korean drama that my parents were watching that ended tragically. I recently picked up Korean drama as well and read somewhere that tragedies used to be the trend in Korean drama series. Only recently have the writers been letting their stories have happy endings -- I'm totally okay with that.

Before I had only been watching Hong Kong's drama series where they always have a happy ending, or at least a justifiable one. But recently, Hong Kong seems to have picked up the tragic ending trend as well as the "make your readers cry their eyes out or scream obscenities at injustices" trend. Unfortunately, they don't do it as tastefully as others do it.

Anyway, of course, I had decided to start with this particular series which is based off of one of my favorite shoujo manga of all time.


To be completely honest, I have always believed that bishounen really only exist in anime or manga. For those of you not familiar with the term, bishounen literally means "beautiful man". It had been a long time coming for me to even encounter a real live male who is so beautiful or so handsome that he makes "roses come up," as the saying goes. This concept seemed to have taken form temporarily in the U.S. a la the Twilight series, wherein the vampire men are described as being able to have a nice rosy background, preferably in a soft light, or such similarities. A nice little teenage-vampire romance genre that I personally cannot make myself look into -- though I'm told I should watch the movies and read the books first before I completely cast it aside.

Anyway, the concept of beautiful men doesn't seem to work very well with American males. I'm not being racist or anything, but truth be told, American men are typically more manly and rough than Asian men. I have read comments about Asian men being small and petite, almost like a girl -- not all of them are like that, but a good majority are so skinny and sometimes have such great skin that they trump a lot of girls. The "pretty boy" concept doesn't quite occur too often in American male celebrities unless they're sixteen and haven't developed muscle or facial hair yet; they probably don't like being referred to as "pretty" anyway. Some Asian celebrities are a little more open to those kinds of descriptions and images: pretty boy, cute, adorable, gorgeous, baby-faced... the like.

Nonetheless, bishounen rarely exist outside of manga or anime. There have always been those guys who are extremely hot, extremely handsome, or even extremely cute. But I'd never come across any who can be defined as bishounen.

Or so I had thought nearly two years ago.

My arena had always been Hong Kong films and drama series. The men in these series or movies can be defined as very handsome or very charming. Some are really cute, but still contain an obvious manly composure. None of them ever seemed like they would fit the description of being so pretty that girls are threatened by his beauty, but still handsome enough to make those same girls swoon. Apparently, if you put them in drag, they're supposed to look exactly like a girl too, sometimes more beautiful.

It's tragic, yea, I know.

I encountered my first bishounen in the Taiwanese Idol arena. At first, he didn't seem like a bishounen; Aaron Yan was more cute and adorable than pretty. But after his first image change from young boy to a more mature look, I could finally see the small face, the lush lips, and the smooth skin and outline of his face that almost made me think, "Oh my god, he would really make a very pretty girl." Because I saw a certain scene in one of his MVs wherein it only shows his neck and chin and lips... and to be totally honest, that picture could totally pass for a girl's neck. He probably wouldn't like that description as most men don't like being compared to a girl, but the truth was there.

After that, I started seeing little bishounen all over the place in the Taiwanese Idol industry. Younger boys, freshly starting their career as entertainers seemed to pop up with the capabilities of being extraordinarily pretty drag queens. And even as young men, one look at them seemed to make you think that they had such pretty facial features and the like.

Though few, I have finally found my proof that bishounen can exist.

Korean drama was where I found my next set of bishounen. The rock band, C.N. Blue are composed of four very good looking young men. At first I just thought they were good looking. But after seeing them in better form, I realized how pretty all four of them were, especially the drummer who oozes of young, pretty cuteness.

But enough about pretty boys.

Now back onto the subject, I had always wondered how certain shoujo manga adaptations into live action could possibly account for the bishounen. Of course, instead of finding guys who could come across as both beautiful and handsome, the series seems to lean more towards handsome.


In this Japanese live action version of Hana Kimi, I found it interesting that they had to leave out the particulars of guys cross-dressing and actually looking beautiful like a girl. Of course, the cross-dressing was incorporated, but being as beautiful as a girl was just out of the question. And so not only did the series go for good looking, but it also went for comical as well. As a side not, while I haven't seen enough Japanese dorama to pass judgment, given this particular series being about a school full of good looking young boys, I can honestly say that, to me, they weren't really all that good looking. And from the posters and pictures of other Japanese dorama series I've browsed, I haven't really seen too many good looking men in the Japanese arena. Then again, maybe I've got my "Nakatsu-only" vision on and everyone else just pales in comparison.


Back to the series itself, it was 12 episodes long and I found that I really enjoyed it a lot. Unfortunately, while the plot devices were the same and the basis and characters were the same, a lot of the storyline was changed immensely. The main plot incorporated different features and a lot of the finer details were altered from the original manga itself. Nonetheless, I found that it was a rather amusing experience and I had a lot of fun watching it.

Call me simple-minded, but some of the comedic antics that others may have found kind of silly... I laughed my head off at. I think that this is the typical Japanese humor that everyone's always talking about -- something that's pretty hard to replicate with other countries. Kind of like British humor that, try as they may, Americans cannot grasp the same concept and so should make do with their own style of trashy humor.

Now, probably no one needs me to say anything about the main plot of Hana Kimi -- it's a very well known manga after all -- but for those who don't know, Hana Kimi is about a girl who, when in America, idolizes a high jumper from Japan and decides to go find him by disguising herself as a boy and enrolling into the all boys academy that he attends. The rest of the story takes off from there, incorporating a lot of things to do with romance, inspirational ideals, teamwork, believing in yourself, and a little bit of homosexuality and questioning of sexual orientation.

Hana Kimi has always been a work of art, in my opinion. As a manga, it's artwork is beautiful and its storyline is wonderful. I agree with others, however, that the original manga itself has parts that could have been left out and ended up dragging as fillers, but even those, I found lovely.

The Japanese live action drama, in comparison, wasn't as good as the manga itself, but it also had its charm. It was hilarious at all the right points, it was a bit of a tear-jerker at times, and I really enjoyed the ensemble of the series' cast members. Of course, there were also a lot of cheesy moments and a lot of dialogue that people in real life wouldn't really say. On a side note, this series leaves out a lot of the romantic and sweet moments between Sano and Mizuki that made Hana Kimi such a lovely story. Of course, they also seemed to change Sano's character a little, making him much more bitter than in the manga, and harder to like in the beginning than in the manga.


The character of Sano Izumi was played by Oguri Shun wherein the majority of his dialect involves grunting. This is a little more superficial than the true character of Sano Izumi that is portrayed in the manga that fangirls fell in love with. But I'm not saying that this is the fault of the actor because he did a very good job of portraying a bitter, introverted, stoic character. He had his silly moments too, but I had to ignore those since it didn't seem to fit Sano's image very well. Sadly, the manga has made me place Sano Izumi on a pedestal and, truth be told, it's hard to turn him into a real person and still see the same guy. Because turned into a real live person, I'm not sure there is anyone who'd be able to convey the charm of a dull and monotonous prince charming that seemed to show very well in the manga.


So I'm kind of glad that the live action drama doesn't completely follow the manga itself, allowing fans to follow it as a separate entity. Of course, maybe a live action version just does a better job of portraying all the emotions that simply reading a manga cannot get across; because then you can hear the anger, frustration and feelings behind words rather than trying to imagine them based on exclamation points and written in sound effects and drawn facial expressions.

To my dismay, I actually didn't really like Sano Izumi in the first half of the live action series; in the manga, he was a rather one-dimensional character in the beginning, but I didn't particularly harbor any hostility towards him. In the live action series, it took me until nearing the middle of the series to finally decide that I liked him; after he got friendlier, he also seemed to get cuter and that was a plus. Before, he was just some bitter, arrogant jerk who didn't really give a damn about anyone or anything and just wanted to be left alone. He seemed irritated with everything, which is NOT the Sano Izumi that we fell in love with in the manga. While in the manga, Sano was rather indifferent about a lot of things, he still showed a level of caring and some forms of interest in his own little way. Oguri Shun's Sano Izumi just seemed to be an emo character with lots of inner turmoil and the penchant for being an asshole.

The character of Ashiya Mizuki, played by Horikita Maki, however, really DID shine in comparison to her romantic counterpart. I really couldn't help but to think that she was extremely cute throughout with her expressions, her exclamations and the way that she spoke. Horikita Maki did an excellent job of portraying the character of Ashiya Mizuki; and then there's a new type of spunk that the manga doesn't give to Mizuki. I liked that spunk, and instead of just being a noisy kid, Mizuki ended up being a very loveable girl instead. The one fault of Horikita Maki is that, no matter how hard she tried, she just seemed extremely too girly for the part of Mizuki. The character calls for a girly personality anyway, but I had my doubts that people actually didn't know she was a girl in disguise instead of just another one of those boys who look pretty enough to be a girl.


Nonetheless, I liked her version of Ashiya Mizuki, but I didn't care for her one-tracked, Sano Izumi-only train of thought. She was too relentlessly in love with Sano and didn't convey the amount of caring towards her other friends that the manga version shows. Granted, with few episodes to go off of, maybe there wasn't time for her to show too much care for other people. But at the least, she could have been friendlier to Nakatsu instead of treating him like a nuisance and an outsider at times.

Speaking of which, kudos goes to Ikuta Toma who played the part of Nakatsu Shuichi.


To be totally honest, the manga version of Nakatsu meant nothing to me except an unfortunate third wheel to an already blossoming love story. His appearance that was supposedly part of a love triangle between Sano and Mizuki was pretty much nonexistent because of all the significant scenes between our two main protagonists. Nakatsu, in the manga version, to me was just there as a means for Mizuki to have a boy who loves her so much that he would do anything for her. He also made a rather good form of comic relief among the seriousness of a romance developing. While I know that Sano's feelings do not lose out to Nakatsu's in the aspect of who loves Mizuki more, Nakatsu's trials and tribulations of overcoming that social barrier in order to admit that he was in love with Mizuki while still a boy was very admirable. After all, Sano found out that Mizuki was a girl well in advance and slowly fell in love with her; Nakatsu only knew Mizuki as a fellow male friend and began to find himself attracted to her despite that fact. Unfortunately, the manga version of Nakatsu, besides serving as comic relief, really didn't leave an impression on me.

Instead, in this live action drama of Hana Kimi, the part of Nakatsu was done so excellently by Ikuta Toma that there is a definite lasting impression. There was a moment in the series where I began to worry, because for once, I wasn't rooting for the main couple. Ikuta Toma-sama's protrayal of conflict, love, and joy and humor really made me feel for him. His way of making Nakatsu an always cheery, self-sacrificing friend made me really reach out to him; for a while, I almost wanted him to be the one that Mizuki chose, not mattering that in both manga and live action, Mizuki's actions never show her heart going anywhere but to Sano.


Of all the boys in the entire series, Nakatsu ended up being my ultimate favorite. And I attribute most of this to how well Ikuta Toma managed to bring a simple side character to life. To his benefit, the series seemed to favor Nakatsu much more than it did Sano. There was more interaction between Nakatsu and Mizuki; even if it was really one-sided on Nakatsu's part. The moments in which Nakatsu is there for Mizuki are more significant in the live action than they are in the manga; in contrast, Sano's significance seemed to have paled and instead had Mizuki jumping through hoops to make sure that Sano was happy while Sano barely had to lift a finger. Nakatsu, on the other hand, continuously thought of Mizuki's happiness and welfare first and foremost, protecting her and loving her despite his confusion of sexual orientation and Mizuki's undying devotion to Sano Izumi. Placing both his best friend and the person he loved before his own feelings, this Nakatsu Shuichi was portrayed to perfection.

Nakatsu Shuichi was center stage for all I could see. This series was made to promote Ikuta Toma, not mattering that Nakatsu is merely a side character.

It almost made me grimace to realize that the way Mizuki treated Nakatsu was not very much like the "best friend" that she claimed him to be, but as someone she would easily take for granted. No matter what he offered to do for her, Mizuki could easily brush it aside and run back to her Sano without even any consideration for what Nakatsu must be feeling. In a sense, this is exactly what the Mizuki in the manga was like from beginning until the very end, except she was a little nicer to Nakatsu, Nakatsu's presence was really just for comedic relief, and Sano was not an asshole. Nonetheless, in the manga, Mizuki at least conveyed a better level of loyalty than she did in this live action series.

Ikuta Toma's portrayal of Nakatsu Shuichi has left such a deep impression with me that I've unhesitatingly become a fan. Whenever I find something new about him on the internet now, I'm "kya-ing!" like a crazy fangirl. As I am drawn to men with exceedingly beautiful smiles, it doesn't surprise me that I would so easily fall into the entrancing presence that is Ikuta Toma-sama. As it is, Ikuta Toma easily steals the spotlight of a storyline wherein others are supposed to be the main characters.


Aside from being part of the comic relief, being a consistent support for Mizuki, Nakatsu also came out as a voice of reason and was also the guy who pointed out details that the viewer is questioning as well, turning the scene into quite the hilarious one. Example in point, whenever multiple people somehow enter a room from nowhere and suddenly the place is filled with rambunctious high school boys, Nakatsu was the one who screamed "What are all of you doing here?" or something of the like. This is probably a form of Japanese humor that doesn't get put into series that often unless the show is strictly comedic with fourth wall conversations. Nakatsu was a strong presence in the series, being able to lead a scattered group of Dorm 2 kids if the lovable flirt, Nanba Minami happened to be absent (as shown in the Hana Kimi special).

Speaking to the forth wall seems to be one of his specialties and I love him very much for that. Especially when he goes into monologue.

In conclusion, of the three main characters of Hana Kimi, for the live action drama, I fell in love with Nakatsu Shuichi. Mizuki can have Sano; I want Nakatsu to myself now. Ikuta Toma's style was excellent with perfect comedic timing and wonderful facial expressions to each scene and moment. To top it off, after the first few episodes, I began to find Ikuta Toma to be an irresistably cute, good looking "ikemen", as the Japanese would say; I enjoyed his presence more so than I did Sano's.

The rest of the cast was a little less than agreeable to me.
My all time favorite Umeda Hokuto sensei, unfortunately, cannot be recreated as a live action portrayal. Only in the manga version is he my glasses wearing, homosexual, hotter than hot Umeda-sama. Sadly, because there are so few true bishounen in the real world, its hard to find a good man suited to completely portray Umeda sensei's ooze of sex appeal merely stepping into a scene. While Kamikawa Takaya is a good looking man, he seriously pales in comparison to the sexy god who is Umeda Hokuto-sama. I'm being unfair and extremely biased about this, I know, but of all the bishounen in the manga world, only Umeda sensei has been able to make me want to jump through the pages and do unspeakables to him.

I'm a sad, disgusting, and lame fangirl, but that's the ultimate truth. I don't care if he's gay. Although I think that the fact that he has such wild and unpredictable actions and ideals is what makes him so hot -- it's not so much just his physical appearance, but his flambuoyant personality. It's like that forbidden fruit you're not supposed to have, because I am personally a very conservative person and will most likely die as a prude -- so his character was a breath of fresh air and a dream come true for me. Something that I cannot be and someone that I cannot have -- it's a rather ideal dream, don't you think?


This series was fun; I repeat myself. And I enjoyed watching certain parts of it. Of course, the ending left me a bit unsatisfied; as I had mentioned before, the few sweet, romantic moments shared between Sano and Mizuki paled in comparison to the ones incorporated from the original manga.


The basis of their relationship, while I hate to admit it, is that Mizuki spends her time thinking of ways to make Sano smile while Sano protects her and takes care of her. In other words, it's a princess and prince relationship where Mizuki is the shining, lovely princess and Sano is her prince, always there to save her and whisk her off of her feet. It's simple, but it's hard to feel from the series that this was what the live action version based the relationship on. It was what made their love so sweet in the original manga. In the live action, our two main characters merely present a struggling relationship between two people connected to each other by one incident in their past leading to a rash decision by Mizuki to find Sano and support his return to the high jump.

Maybe I shouldn't really compare too much. The live action should be a separate entity after all since the storyline isn't even the same. But one always finds it hard not to compare two versions of the same story and decide which was the better of the two.

In my personal opinion, I prefer to keep certain things the way that they are. While there are a lot of aspects I prefer from the original manga, such as the relationship between Sano and Mizuki, and the uber presence of Umeda sensei, and even the more detailed characterizations of some minor people; I think that I do prefer Ikuta Toma's portrayal of Nakatsu much more. He has more depth, he's better looking, and his presence seems much more significant; he oozes of cute cuddliness, sunshine, and I just wanna hug him to death. I also kind of liked Mizuki's more spunky personality; however, the one-tracked mind she had toward Sano seemed two-fold and almost selfish to the point that I didn't like it every time she ignored Nakatsu just to run off to find Sano. It didn't matter that Nakatsu had both of their well-beings in mind, Mizuki acted quite unfair towards Nakatsu even as just friends.

I'm groveling in shame for forgiveness, because while Sano and Mizuki are the main couple I love from the manga, I really, really feel that Nakatsu should have been treated better by Mizuki in the live action drama. I'm not asking for too much, right?

However, if in the original manga, I had felt the same way, then it would have been conflicting for me to fully enjoy watching the destined couple get together without obstacles. Because for the live action, I almost thought that Sano would have equal competition in the form of the Nakatsu Shuichi played by Ikuta Toma.

Live action Hana Kimi... give it a try, I would recommend it very much. The cast is exceptional, the story is good and the comedic antics are worth sitting through. The romance is a little bland, however, but Nakatsu's feelings make up for a lot of the missing sweetness. Ahhh... Nakatsu...


For Ikuta Toma fans all over, watch an excellent performance and Toma-sama at his best. Fall in love with Nakatsu Shuichi like you never would have before and enjoy watching his lovely, extra adorable smile.

Wednesday, August 3, 2011

thoughts: City Hunter (Korean)

시티헌터 - (Siti Heonteo)



Lee Min Ho as Lee Yun Seong
Park Min Young as Kim Na Na
Lee Joon Hyuk as Kim Young Joo
Hwang Sun Hee as Jin Sae Hee
Kim Sang Joong as Lee Jin Pyo
Chun Ho Jin as Choi Eung Chan
Kim Sang Ho as Bae Shik Joong

For more information on this series: City Hunter (Korean Drama)

***

As a forewarning, this article includes quite a few spoilers that I had no choice but to include if I wanted to get my opinions across. But then again, a lot of other places that have blogged about this series, whether as a single post or an episode-by-episode follow-up, have given away even more details than I am willing to give away. Just be glad I'm still keeping some opinions to myself.

Nonetheless, you have been warned that I have included some details that may or may not ruin the story for you, but I DID graciously leave out some other very significant surprises that the series brought (even to me) that I never expected; especially something big that occurs in the last few episodes that sort of caught me by surprised, but that I should have seen coming.

Eventually, wikipedia is going to have an entire summary including the ending anyway.

Also, this particular article ended up getting much longer than I had initially intended for it to get. With so much going on in the series and so many opinions floating around in my mind, every time that I reread the post, I wanted to include a little bit more information here and there. I formally apologize for the long post and hope that in the future my thoughts articles will be less rambling. I make no promises, however, and hopefully everyone will just bear with me until I can figure out the best way to blog without going overboard.

Of course, for a less detailed article depicting a summary and brief thoughts without obvious spoilers, please refer to: intro info: City Hunter.

Nonetheless....

***

While strictly a fan of romantic comedy story lines, it's probably a bit of a wonder that I even picked up City Hunter at all, save for the fact that this series was also tagged as romance alongside it's main genre of action. Growing up with three boys is a good way for someone like me to have multiple genre interests outside of romantic comedies or romance dramas. I DO enjoy the occasional action movie or drama series as well as adventures and especially fantasy. But my main interest has always been in the romantic comedy area; second would by anything that has a bit of action, adventure or fantasy elements laced with a romantic side plot. Those romantic side plots really do wonders if they're executed correctly.

In fact, The Bourne Identity, which I will make a brief reference to later in this article, is actually one of my favorite movies because of the action, thrill, suspense and the top-notch story telling as well as excellently choreographed fighting sequences. The very brief romantic side plot was also a giddy bonus.

At the time that I started writing this article, there were still two last episodes left to be viewed, but wanting to get a jumpstart on my review, I wasn't too concerned with them anyway. After all, a suspense filled thriller like this can only be reviewed in one way-- without giving away too many of the turning points. If I want to keep my reaction on the ending at a neutral standpoint, then not having seen the ending while writing this article has it's advantages. Unfortunately, spoilers DO lie ahead and I have chosen to include some details of the ending after finishing the series.


City Hunter is full of engaging and exciting events that have you wanting to continue on until the very end. Even as I write this, I regret starting the series so early since it had yet to finish airing; it took me a total of two days to finish watching all 18 episodes that were available, and that's only because I spent a good amount of time loitering around and forcing myself to do other activities after watching the first five episodes. Otherwise, one day would have been all that I needed-- this is the impact that City Hunter had on me. Knowing that I would end up becoming anxious for the last two episodes almost immediately, I wanted to bide my time and watch the series slowly so as not to ruin my own state of anxiety.

Nonetheless, as soon as I started watching the next episode, I was so caught up in it that I kept pushing forward to the next even with the intention of taking another break around episode ten to drag out the experience a little bit. But in the end, I finished all eighteen episodes and, as I began to write this series' article, I anxiously awaited the last two episodes as I desperately wanted to know how the story would conclude.

THIS is how engaging the story line was for me and has absolutely nothing to do with the all too popular Lee Min Ho who seems to be the driving force of every other fangirl's intent on watching City Hunter. I will admit, however, that the romance plot plays a rather significant role in my continued pursuit too. With series like this that aren't based solely on the romance, it's a guess up in the air whether or not the main couple will end up together by the very end. For one thing, we are already given the impression that the main pairing, Lee Yun Seong and Kim Na Na would be a romance doomed to fail -- or at least that's the impression I got.

Case in point: The ending of episode one shows the two appearing in the same place at a fountain, doing their own thing, but not seeing each other (they do not know each other at this point). They don't interact with each other and in a small bit of slow motion play, the people move among and around the main couple in blurs as they continue on with their current activities. And then, without even any contact at all, Yun Seong walks away in that same, simple slow motion play. To me, it felt like a bad omen for the fate of this couple -- to be separate even after they get together.


With hopes that they DO end up together, happily ever after or the like, I could only anticipate the ending and hope for the best.

To date, I am still a newbie in the Korean drama arena. This is the fifth Korean drama series that I started watching. I have finished three others and am still in the middle of waiting for the next few episodes of currently airing Heartstrings to come forth. Needing English subtitles makes the wait even more agonizing. And so, before anyone else makes any assumptions, I did not pick up this drama series because I am a fan of Lee Min Ho or anything like that. I don't even really know who he is. But I can say that after watching his performance as Lee Yun Seong in this series, I've become quite interested in other series that he might have a starring role in. There's some sort of charm to his sometimes quiet, sometimes serious, and sometimes boyishly playful personality; whether it's a real part of him or a part of the character he is cast as. But no matter what it is, I'm thoroughly intrigued by this young man and plan on following his career starting at present. In fact, I plan on picking up Personal Taste sometime soon, probably as soon as I finish City Hunter; as for Hana Yori Dango, I have a personal vendetta against that particular story line and so it might be a while before I even consider it -- but we'll see.

I picked up City Hunter for two reasons: 1) For some unknown nonsense, because it was said to be based off of a popular Japanese manga, it held some sort of interest over me (don't ask questions, my mind is not normal enough for a proper answer), and 2) The genre of romance being tagged to it concerning a secret city hero and a strong female character was also a plus. Strange reasons, no? And then I was also thinking, "City Hunter... action packed... like a detective agency thing... hmm..." Of course, this is based off of what I read about the original manga.

Back to the City Hunter drama series, I can say that this is a difficult series to review, unlike the romantic comedies that I watch all the time. Romantic comedies, after all, have extremely predictable story lines no matter how original you try to make them. You can never give too much away in that genre when you're talking about them because there are few elements of surprise. Then again, as my brother says, the more stories you read, the more movies and drama you watch, and the more games with story lines that you play, the better you are at predicting what happens next -- because there are only so many ways to turn the plot in certain directions. It's the moment that you cannot seem to predict the next event that makes you thrilled to be watching a certain series. I don't think I've gotten the grasp of the typical Korean drama formula yet, but my bias has always been that they're major tear-jerkers and end tragically when given the chance, but have a lot of really good heart-warming scenes at all the right places.

City Hunter seems to boast these elements. There are plot devices used that are rather cliched from the beginning, but then there are small details and then the secrets on top of secrets that become revealed as the series progresses -- THESE are what kept me so transfixed on the series as a whole. When you think you know what's going on, something happens to make you wonder all over again. And revealing secrets, whether big or small, was what this series ended up doing throughout -- and so I can only reveal very little about the plot without killing the mood for everyone. There are so many details to keep in mind and so many characters to try to follow and determine whether they were significant to the plot or not.

The series starts off at a setting in 1983 involving an attack on a candidacy event wherein some of the candidates are killed, but the president is not. Convinced that this was an act of terrorism on South Korea from North Korea, a special team of soldiers is dispatched to North Korea to kill significant officials in retaliation. Unfortunately, partway through this mission, officials of the South Korean government decide that this military action should not take place; in order to cover up what they did, the twenty one men sent on the 1983 mission are killed in the waters of Nampo in North Korea where they thought that they were meeting their submarine ride back home. All but Lee Jin Pyo (Kim Sang Joong) are murdered by their own country and thus, Lee Jin Pyo vows vengeance for his comrades, targetting the five men who had chosen to keep secret this mission by sacrificing twenty lives. He procedes to abduct his friend, Park Moo Yul's newborn baby boy from his mother, leaving her a note that she should forget about her husband and child and go live a new, happy life.

Devastated by this, I think we as the audience knows that his plans for her won't happen so easily. Why on earth, I kept asking myself, would you taking away a mother's young child be a "happy" thing for her? Why would someone do that to a mother? The answer to that appears rather clear soon as the series progresses that Lee Jin Pyo has his own selfish desires of revenge at hand and intends to include the young boy in his plans. Of course, at the series' end, we realize that the plans for revenge run much deeper than what the viewers might have thought.

Raising the child he names Yun Seong in a remote area of Asia known as the Golden Triangle (which I'm assuming is somewhere near Thailand), Lee Jin Pyo begins his long term plans for revenge against the five men in the South Korean government who killed his twenty comrades. Lee Min Ho is cast as Lee Yun Seong who grows up being trained by his "father" in combat arts and survival while they run a drug trade for money. Yun Seong knows nothing about his family history while he is growing up until one day when Lee Jin Pyo is injured saving Yun Seong from a land mine and chooses to finally tell Yun Seong the entire history of how his father and nineteen other men died at the hands of their own country and so all these years, he has been planning to take revenge on the people who deserve it with Yun Seong to help him carry out this revenge. For the sake of the father who raised him and for the sake of his lost parents, Yun Seong chooses to take on this responsibility. He changes his rambunctious, wild ways, focuses on his training, goes to college at MIT to learn all sorts of cool things, and then arrives back in South Korea, 28 years after the Nampo massacre, and enters the Blue House (the President's palace) as an IT expert in the National Communication Network Team where he can utilize Korea's best technology and information database to find out what he needs to know to carry out his plans.

As most similar story lines like these go, Yun Seong is warned by his father that he cannot trust anyone and he especially cannot fall in love, because falling in love will make him weaker as well as put the people around him in danger.


This is where Kim Na Na (Park Min Young) comes into the story line to jump start the doomed romance that is to take place. Back in the Triangle, Yun Seong had saved a man named Bae Shik Joong who was about to be beaten for gambling problems. Because of this, he loyally follows Yun Seong, assisting him and cooking for him and taking care of his needs. The two form a very close kinship that Yun Seong describes as like having a mother, older brother and older sister in one package. Shik Joong ahjussi had on him a picture of a young girl whom Yun Seong immediately takes a shine to because she is pretty and he ends up framing and keeping the picture by his bedside, slowly growing an attachment to a girl he's never met before. Kim Na Na is a girl that Shik Joong knows, but won't elaborate on, except that when Yun Seong returns to South Korea, Shik Joong tasks the young man to look for and then take care of Na Na whenever he gets the chance. As part of the plot devices playing out, Shik Joong ahjussi's interest in Na Na's well being span into a much deeper reason than just feeling pity for her.

As fate would have it, not only does Kim Na Na also start working at the Blue House as a bodyguard, but time and time again, she comes across situations where Yun Seong is forced to step in and help her out. Na Na has lived a tragic ten years of her life ever since her parents were caught in a car accident that left her father in a coma and her mother dead. And so with a strengthened personality, geared to survive in life and keep the money coming in for her father's hospital bills as well as her own home, Na Na struggles through life, but doesn't mope about it. This fiery personality, a strong sense of responsibility, and some weird cheerfulness and optimism despite her circumstances seems to draw Yun Seong to her even more so than he had already been. I think her tragic loss of her parents and her struggle to survive also plucks at some chord in Yun Seong's heart, allowing him to relate with her on the similar matter of not having parents around. Heart-warming scenes where she somehow manages to lighten up Yun Seong's dark mood at certain points acts as a chisel to pick into his heart. Eventually, the two begin to slowly fall in love with one another.


The story then continues on to follow Yun Seong as he keeps his identity a secret and starts his revenge plans. Although he is working with his father, his idea of revenge is completely different than his father's "shoot to kill" ideals. Defying his father's intended killing spree, Yun Seong instead merely reveals the corruption of each man as he is found, publicly ruining that man and allowing the prosecution to take care of the rest. It is known fairly early on that Yun Seong has no intentions of killing anyone at all, unlike his father who would even shoot an innocent bystander to get what he wanted. It is commendable that Yun Seong has learned and fully understands the concept of a circular revenge cyle that only ends up causing more suffering and endless bloodshed. Because if his ultimate aim is to kill the men responsible for the Nampo mass murder, then that would leave one more innocent child to grow up contemplating the ideals of revenge. The cycles would never stop.

Of the five men who were responsible, the viewers already know that one is Choi Eung Chan, the current president of South Korea and another is a man who Lee Jin Pyo identifies as Lee Kyung Wan. The rest, he says, will have to be figured out after they punish Lee Kyung Wan. But for reasons of his own, Lee Jin Pyo only tells Yun Seong about Lee Kyung Wan and neglects to inform Yun Seong that there is another man's identity he already knows. After the corruptions of the first target, Lee Kyung Wan are revealed and he is sent to jail, Yun Seong's secret identity as the mysterious hero is endearingly nicknamed City Hunter.

As the IT expert at the Blue House, however, Yun Seong is simply a man who received a PhD at a young age, excels at computer technology, but is physically weak and cannot even take a punch. While the viewers all know that Yun Seong has already been trained to be a fighting machine, it's a little fun to watch as he allows the 4th level Judo Kim Na Na to throw him over her shoulder continuously during their training sessions at the Blue House. There's a particular scene in which Yun Seong secretly trips Na Na while she's about to smash him to the ground again, but apparently, the young man does not realize his own strength and ends up hurting Na Na's ankle to the point that it's hard for her to walk. I thought it was kind of funny. Yun Seong trained with elite experts in the Triangle after all and it didn't seem to occur to him that he's a lot stronger than normal city people.

Of course, I also found myself wondering how everyone would believe that a tall, physically well built young man was really that weak. He certainly doesn't look like he can't even flip a girl over his shoulder, or that he can't even take a punch.


Since I AM a newly joined Korean drama series lover, I have no previous biases about any of the actors cast in this series. Lee Min Ho does an excellent job of portraying the struggling, yet kick butt hot Lee Yun Seong. As the infamous City Hunter, he is awesome and cool and as the Lee Yun Seong working in the Blue House, he pulls off the arrogant MIT, spoiled rich brat personality rather well. It's the playboy image he's supposed to be projecting that doesn't come across as very believable. I'm not sure if it's his fairly serious expressions or just the fact that, as the viewer, you know that he has a heavy duty resting on top of his heart of gold that doesn't allow for such a lucrative activity in his life. Because Yun Seong is a nice guy after all despite his open claims to being a playboy and a rude, arrogant brat. Nonetheless, I admire the character of Lee Yun Seong, if only for the mere fact that he's not a one hundred percent perfect master mind; because as many have pointed out, he makes a few careless mistakes amidst some of his planning.

While a lot of people might feel like this is poorly written or poorly directed, I think there is almost an intention of allowing a few mistakes to be made on Yun Seong's part. They aren't fatal mistakes, but even if they were, it's only because Yun Seong is human after all. Yun Seong was trained by his military turned drug lord father on the ways of survival. He was not described as being the best of the best and while he does come across as being intelligent and pretty much prefect at everything, these minor mistakes that he makes come across as making him a bit more normal. He's not Superman or Batman. This isn't Bourne Identity where the guy was trained to be a perfect agent and killing machine.

Yun Seong was brought up with combative skills and took to learning his own education in order to fulfill a revenge plan. Of course, there are a few instances where I felt he was being a little careless and for his skill should have been able to avoid. But these were all in good timing, because if Yun Seong was good at everything and ended up pulling through all of his plans wonderfully, then he'd be an arrogant god and we wouldn't have those tragic conflicts he goes through time and time again. He would see that he's good enough to protect Na Na and all the people around him, and he wouldn't even worry about his father's threats.

Nonetheless, those instances actually helped to propel the drama forward.


Aside from that, I enjoyed watching the few instances where he tends to act like an immature, playful brat, getting easily tempered and having his own fits of tantrums when things don't go right for him. Or just laughing at random things that he finds as Na Na's misfortunes. They make for creating a cute inner personality underneath that cold and cool exterior that he's supposed to project as the secret hero City Hunter.

The character of Kim Na Na is one of the few that I actually like among female protagonists. Kim Na Na is a cheerful and good-natured young woman looking to survive in life for the sake of her home and her father's hospital bills. Na Na has been spending her life trying to make ends meet with several part-time jobs when the series opens. She later gets accepted into the Blue House which helps to solve some of her financial problems. Unlike a lot of other female protagonists portrayed in Asian drama, Na Na is very strong of personality and admirable as a person. She takes on her responsibilities like the best of them and she doesn't spend too much time crying over her disastrous life or a lost love to the point that her character loses resolve for anything else -- even when she encounters the heart-wrenching issues of falling in love with someone who cannot love her back, she still continues on with her life, working as a bodyguard at the Blue House and making money to move on. This is because she knows that she has no other choice and that a lost love does not mean that she has to stop surviving or drop all of her duties.


Park Min Young does a great job as the head strong and uniquely brave Kim Na Na who struggled with a tragic past, an emotional new love relationship, and her duties as a human bulletproof vest to the President. I'm glad that she's not a complete tomboy, but she's also not a hundred percent girly either. She's that right balance of a simple young woman living her simple life as a secret service bodyguard who happened to fall in love with a not so simple young man with a secret life.

It was fun watching the two main characters start to fall in love with each other, and because of the romance that was doomed from the start, every heart-warming and fun-filled scene depicting the two of them makes for those sweet little memories that you can look back on and smile about. Because Yun Seong's life was destined to never be a normal one, it's nice that he can enjoy a few light-hearted moments where he can laugh and be happy. While it's hard to tell whether or not Yun Seong starts off with a secret attraction towards Na Na, it's quite evident that because of the picture of Na Na he'd gotten from his Shik Joong ahjussi, he had already grown a small attachment to her; going beyond just looking out for her safety and welfare as Shik Joong asks for.

Because, knowing full well that he isn't supposed to fall in love, Yun Seong should have detached himself from Na Na as much as he could, but he still goes out of his way to do things for her that don't have to do with her safety or wellfare. But time and time again, after upsetting her or turning her away from him, he still continues to do things that waver her heart in his favor; despite the fact that Na Na was very determined to cut him out of her life believing that he was a terrible, arrogant playboy with no morals.

But then again, if he didn't grow attached to her, we wouldn't be able to watch a tragic romance unfold and be caught up in all the heart-wrenching ups and downs of this lovely relationship. Yun Seong's personality would seem too mechanical; his unhesitant caring for Na Na's welfare as well as her emotional stability and happiness shows that he's human and still quite a young man after all. He gets jealous when she's around the prosecutor, Kim Young Joo, and his heart is tested whenever she goes through problems with her life, and he's uncomfortable when she's outright upset with him and refuses to even acknowledge his existent.



Poor Lee Yun Seong is simply a young man wanting to fulfill his desires of being a normal person able to lead a normal life and have a normal love life; but conflicted with the fact that he could never have any of that.

As far as the rest of the characters go, they are portrayed rather well, but aside from Lee Jin Pyo, Choi Eung Chan and Bae Shik Joong, very little of the story line revolves enough around them to be significant. The rest of the Blue House staff is there for the sake of having minor characters, Jin Sae Hee's role was rather one-fold, and Prosecutor Kim Young Joo only had one vendetta that propelled his very existence in the entire series making him a very background type of character up until his significance finally shows in the end.


Even the inkling of a possible love triangle (or love rectangle if you include Sae Hee) seems to taper off almost completely and our main couple fall in love with each other effortlessly, without third party obstacles. It is a personal relief to me that the producers choose not to include an unnecessary love triangle or rectangle since this main couple's romantic turmoil is complicated enough as it is. The small inkling of Sae Hee being attracted to Yun Seong was forgotten and Kim Young Joo's interest in Na Na is revealed further on in the story as not being romantically linked. It was like that hint of a love rectangle was only there for our main couple to realize their jealousy at seeing the other with another person who might interfere with their romance.

Nonetheless, as I finished up the series, I found that I was a little disappointed in the role that Kim Young Joo was given. He's the city hero who doesn't need to hide from the public's eye. As a prosecutor, he is justified in all of his means, has sworn to uphold the law, and will do anything to bring down the corruption (as long as it is within his law-abiding power to do so). But because the government is corrupt to begin with, the tag team efforts of the City Hunter to bring all evidence and culprits to the prosecutor's office for Kim Young Joo to deal with was a rather intriguing idea. Unfortunately, Kim Young Joo, despite agreeing with what the City Hunter does, cannot seem to condone some of the unlawful actions that City Hunter takes to get there, even if no innocent bystander was hurt. The series doesn't elaborate much on a possible relationship between the prosecutor and the City Hunter being able to work together as a team to bring justice into a corrupt nation. For this, I am hopeful that maybe after Yun Seong finishes his revenge plans and chooses to become a full time City Hunter for leisure, he can collaborate with the prosecutor's office in this aspect.

Unfortunately, as I already stated, Kim Young Joo's character was rather one-dimensional. While he was a brave and admirable person with secrets of his own, his only plight seemed to be continuously chasing after City Hunter's shadows and picking up cases where City Hunter leaves him. Kim Young Joo's role was a little cheated from him, is what I'm trying to get at. His role was supposed to be so much more significant than what was given him, and it isn't until the end of the series that you realize just how much this guy was taken for granted. You find it heartbreaking, almost, to realize that the prosecutor could have been executed in a much more grand fashion throughout the series rather than just some annoying, justice seeking, workaholic man chasing after the shadows of the secret city hero just to lose out to him every time.


Bae Shik Joong was presented beautifully as the maternal slash paternal guardian and "spouse-like" character in Yun Seong's life. He presented the right amount of fear for his and Yun Seong's safety, but also projected an undying loyalty that would put even himself in danger just for Yun Seong. Shik Joong ahjussi was a wonderful man despite his faults and in spite of them and so I'm glad that Yun Seong had such a person to aid him through his struggles.

Lee Jin Pyo was hard to grasp as the main antagonist in this series. Because ultimately, despite his open declarations of war on Yun Seong, he still harbors fatherly love for the young man he raised for twenty eight years and the viewers can see that it hurts him to see his son turn against him or even face any life-threatening dangers. While Yun Seong might have started off as a pawn for revenge in Lee Jin Pyo's plans, it seems that there is no doubting the father and son relationship that reared its head on the two so naturally.

As for the president, Choi Eung Chan, he was simply a good man, trying to do good things, but held a terrible corrupt secret that would become his downfall. Nonetheless, as some have described, Choi Eung Chan was a beautiful man with great aspirations and dreams. Even as a person, I feel that his faults don't outweigh his greatness. So it's unfortunate that good people can make mistakes for a greater cause and be condemned in such a way.

Back to the rest of the cast, I especially enjoyed the strange little bodyguard and president's youngest daughter relationship. Choi Da Hye, the youngest daughter of the president starts off with an impression of being a bratty, snobby young girl out to make trouble for the two female bodyguards who are assigned to her, which includes Na Na. But the young girl turns out to be a simple bratty daughter, with no evil intents and only a strange knack of trying to run away from her studies since she's described as academically incompetent. This is a relief for me since the story line already has enough complications without having to add on a snobby young girl to make life worse for Na Na -- so it was rather refreshing that the girl turned out to simply be bratty and spoiled and that was it; and she even eventually starts to care for Na Na and the other bodyguard like friends -- albeit, in her own strange little way.

The music for this series is excellent, with rotating ending themes dependent on the mood of the episodes' endings, and then also a captivating instrumental score of background music and insert songs. Choreography isn't the best, as I have grown up watching action and have seen a lot of the best sequences; but, nonetheles, the action was great to watch. I found myself getting a burst of excitement watching Yun Seong's fight scenes because there are some movements that are very unique and cool. The fangirl in me swoons at his oozing of hotness whenever he shows off his fighting skills. The technology that is displayed throughout the series, from the touch screen phones to the navigation systems and the tablets are all really awesome to see. Yun Seong's house is amazing!

As an ending to this series' thoughts post, I'm intent to include the bias that has been built against this series due to the fact that it doesn't follow the story line based on the manga created by Tsukasa Hojo. People have been criticizing the characters, the story line, and pretty much the entire production.

While I have not personally read the manga or watched the anime, I cannot compare story lines or characters. But the Korean drama adaptation, as judging from how I had so quickly crunched through every episode within two days, goes to show that the series as a stand-alone is great in itself -- at least to me it is. Maybe there would have been less of a fuss if the producers had not connected their television drama series with the manga; after all, according to the hyper fans of the original City Hunter manga, the plot and the characters are apparently nowhere near anything like the manga. The series might have fought better being a stand-alone series with a coincidentally identical name to the manga.

Then again, I guess marketing had some ideas up their sleeves anyway. The City Hunter series might not have gotten as much attention without the hook line; and then with people who don't really care for similarities between the original, we remained with the series itself because it was very captivating throughout. According to the nearly perfect ratings of the series in Korea, it looks like despite the dissimilarities between manga and series, a lot of people still enjoyed the series up to it's grand ending.

I myself have always preferred that adaptations be similar enough to the original if not better. Movies that take the term "based on" and then change the story line usually don't fare very well. HOWEVER, that's not to say that adaptations are always bad if they don't follow the original. I've seen a few series and movie adaptations before that don't quite follow the book it was based off of and still manage to be rather outstanding -- able to be a stand-alone in spite of its connection with its book base. Sometimes, even at the expense of changing significant parts of the story line, the adaptation can either be better, worse, or just as good in it's own way.

In this case, seeing as how I've never read the manga or seen the anime, and seeing as how I will probably never get around to them, I'm fairly content with the way that the Korean adaptation was produced and directed. Once again, it proved to be engaging and exciting.

After all, the number one complaint seems to be the main character, Yun Seong, being based off of the original manga's Saeba Ryo not being the same type of character. In descriptions, while Ryo is described as having feelings for his tomboy partner, he is given the personality of a perverted skirt-chaser who will jump at any chance to have his women. While I was totally expecting this to take place for the main character in the series, Lee Min Ho really DOESN'T show off the penchant for being a player -- many have pointed out that he really does not look like he could be a player.

The series had started the atmosphere out with a possibility for him doing as much, going around and getting close to women in order to get information from them. Yun Seong knows that he's good looking and can attract women, so he uses this as one of his pawns, but he doesn't ever actually sleep with any of them nor does he even really play with any feelings too seriously. But he casts off his public image as Lee Yun Seong, the player for all to see. Openly, he's always boasting about having a girlfriend waiting for him or a date with some new girl or his one night stands. But never once has he ever really appeared with a random girl unless she was significant in giving him information that he needed to carry out his plans.

And I think, as a woman, I rather enjoyed this side of Lee Yun Seong as opposed to making him a true womanizer. It certainly DOES help fangirls all around continue to fall wrecklessly in love with him. After so many episodes of City Hunter, it REALLY is hard to see Lee Yun Seong in the role of a player. It would be pretty strange, in my opinion.


So, I'm just saying that everyone should take the series however you want to. The producers can't make everyone happy after all, and if this is the way that they have chosen to make their adaptation, then so be it. If you don't like the changes, then don't watch it. If you can put aside your biases for the original, then try to enjoy the series, because it is very excellent for action drama standards. If you know nothing about the manga or the anime, then don't worry about it because the series was a great experience to follow along with.

I'm thinking that the hyped up excitement that City Hunter had gotten as being the first live action adaptation of the manga might have given it too much expectation. And when that happens, the disappointment from fans of the original will definitely surface; but for those of us who have never even touched the City Hunter manga, this series was just like any other kick butt action series with a suspense-filled story line and actually, rather well-thought out characters.

And so what if Lee Min Ho might have been a popular pretty boy cast as the main character in order to pull in the ratings due to his fans? Just because he's good looking, does that mean he can't perform his role with the best of them? Lee Min Ho, as far as I'm concerned, truly brought out the character of Lee Yun Seong wonderfully. Lee Min Ho being good looking just happens to come as a bonus next to his great acting skills.

The one thing I figured would have been better and would have brought more suspense to the show would be hiding the identities of all the rest of the five men that Lee Jin Pyo and Yun Seong are targetting from the viewers. The audience knows early on in the series who all was involved in the betrayal at the beginning and it takes a little bit of the fun out of trying to figure out which man was part of the incident. The audience sometimes like to play detective alongside the main characters too. Nonetheless, the idea of our heroes finding out one by one which men were involved and then investigating and revealing their corrupt behavior proved to be rather interesting to follow along with. Unfortunately, aside from the President, the other four were blatantly obvious corrupt officials-- it was a little bland and you'd think at least one of them should have been a litte more inconspicuous about his bad deeds and make it hard to ruin him. At least one more of these men should have been the type who was wanting to turn over a new leaf instead of continuing his corruption, making it so easy to figure him out and so hard to pity when he loses everything. A bit of surprise for the viewers would have been fun.

City Hunter was an excellent experience and I am definitely not adverse to rewatching it again and again. As I close this article up, I have successfully finished watching the entirety of the series, including the last two episodes. I had prepared myself for both a happy ending and a sad ending and I can clearly say that it is a satisfying ending for me.

This coming up spoiler, you have been warned, hopefully won't be too much of a shock to people, but the news is all over the place anyway, and I'm sure wikipedia will end up summarizing the series in full soon, happy ending included. And so, yes, the series ends with a light-hearted and happy tone, though there was a slight sense of dissatisfaction that the end suddenly does a skip forward after the revenge plan's ultimate conclusion and our main couple, supposedly separated for a time, doesn't get that long-awaited for reunion that fans had anticipated -- it was merely a simple scene, lasting a whole of five seconds with two sets of smiles as Yun Seong and Na Na smile warmly at each other. And that was it. A little interaction would have been nice, like a hug or even holding hands or a few words.


And an explanation would have been nice as well. After Yun Seong was shot, there was the sense of the direction trying to make him out to be dead. Na Na appears in mourning, even Yun Seong's mother is wearing black and she is ready to leave the country with Shik Joong ahjussi to start life over again in America. Yun Seong is nowhere to be seen and there had been no sign of a jump forward in time. It is mentioned that Na Na's comatose father finally passed away which was why she was in mourning, and so I had my hopes up that Yun Seong had made it just fine and was waiting for Na Na somewhere else while the producers play tricks with fragile fangirl minds. And then they mention that Yun Seong and Na Na both no longer work at the Blue House with no explanation as to where Na Na plans to go now and where Yun Seong went either.

Then we finally see Na Na leaving at the airport when she spots Yun Seong walking down a different hallway and so rushes off to find him. When they finally see each other, we are given warm smiles from both parties, but there is no interaction aside from that. Because of this, viewers are conflicted -- at least I was conflicted -- about this supposed reunion. I personally and frightfully thought that Na Na was just seeing a ghostly appearance of Yun Seong in her own imaginations. There is no indication that that's not what was going on. Because this happens a lot in a lot of storylines and the viewers are left to interpret the ending as they will. If I hadn't come across an article where the producer assures all the menacing fangirls worried viewers that the intention for the ending was a happy one, showing that Yun Seong, indeed, survived the gunshot wound and was well and alive, I would not have finally accepted a satisfying ending with the foresight of a sequel.

I would have been disappointed with the series up until a possible sequel is suddenly sprung on me with Yun Seong and Na Na taking center stage once again in an all new story line for City Hunter. Maybe I would have been surprisingly giddy with excitement and revoke my dissatisfaction for the first ending. Who knows? I just hope there really WILL be a sequel to appease my need for more Yun Seong, more Na Na, more excitement, and more satisfying romance.

My only big question was: Where the heck was Yun Seong during this time jump and why do the two need to reunite? After he was shot, shouldn't Na Na have stayed with him? Where did he go and if Na Na hadn't gone chasing after him, was he just going to keep moving forward without her? The ending was good, but it also brought about a lot of questions that made my head spin.

As a few news sources indicate, the series ends in a way that has viewers anticipating a possible sequel to City Hunter, and so in response to that, this blogger is definitely in support of a possible second season. After all, how else would fans be able to continue their worship of such a great series, the kick butt hot Yun Seong, and the long awaited romance to unfold between our beloved couple?


Just for the action and the suspense alone, I would recommend this series to anyone. Park Min Young is pretty and spunky, Lee Min Ho is adorable and hot and cool at the same time, and the rest of the characters were portrayed very well. It takes quite a bit for me to become so stuck on a certain series, and not mind watching it a couple more times over, so there's no doubting that, in my own personal opinion, City Hunter is very unique and special. Hopefully, I'll be able to find another series similar to it that I'll like, with the right amount of action, romance, and suspense as this one.

While it didn't have as big a cult following as a series such as Iris did, it was just as loved, I am certain. So with Iris planning on an official sequel sometime this year, I'm hoping that soon, City Hunter will pick up the same intentions, with the same characters, played by the same actors. And then I can continue on with my life happily guzzling lovely Korean drama series without worrying about getting sick of them.